Were you a fan of outlines in school? I know I wasn’t. Unfortunately, they’re a necessity in a writer’s life. If you don’t outline the book beforehand, you still have to do it later on some level in order to create a book blurb, pitch, synopsis, and query letter. If you’re a plotter or a plotser, you’re doing some level of outlining before you write.
Somewhere between my past method of zero planning, and Suzanne Brockmann’s 80-page summaries, I’ve come up with the basic plot structure for my next book. And this time, so far, it seems to be working.
When I’m stuck, I go back and check the outline, figure out what I’m aiming for, and get back on track. Sometimes, I change my route, but still head in the same general direction toward my next plot point.
Sticking to my old cross-country travel analogy, I used to get in the car and drive, knowing I’d end up on the opposite coast, picking the route as I went, with maybe a vague idea of the cities I wanted to visit on the way. Now, I’m planning out the overnight stops and the final destination, while still leaving room for side trips and detours. Maybe someday I’ll be like Ms. Brockmann who uses GPS to plan her routes.
For the first time, I’m finding freedom in the structure. It unblocks those blank-page moments, but I’m free to change the outline as new ideas come to me. Yes, it was a lot more work up front. I couldn’t sit down and start writing the story like I used to without some planning.
In order to keep from feeling cheated out of the fun of writing “into the mist”, I still let myself create scenes as they came to me. I worked on openings, scene ideas for several different story lines, and character sketches/interviews. I created and scrapped multiple versions of the story structure and subsequent outline. This is sure to be an evolving product and process.
Best of all, with my outline entered faithfully into Scrivener, I was able to figure out how a subplot with a secondary character might fit into the story and create a key conflict. I’ve struggled with that in the past, and I believe it’s one of the reasons I could never get to 80K. To get a bigger book, I need more integrated subplots to create a richer story with potential for future books. Those who can fit in the subplots without an outline are either far more talented writers than me, or don’t mind copious amounts of revision.
Is this my new process going forward? Time will tell, but I’m excited by the possibilities.