The Edited Life

Random Notes on a Writer's Life


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Every villain a hero

…every villain is a hero in his own mind. ~ Tom Hiddleston (Loki in Thor)

LokiI’ve read—and even written about—how writing an empathetic antagonist makes for a stronger story. I know I prefer those where the villain isn’t just pure evil for evil’s sake, but rather a person acting in a way that makes sense based on his backstory, goals, and motivations.

Loki, Sam Gerard (Tommy Lee Jones’ character in The Fugitive), Captain Barbossa in Pirates of the Caribbean, Magneto, Moriarty.

We may root against these guys, but we understand them on some level. Their choices and actions make sense based on their worldview.

As a writer, I think it’s easy to give our antagonists short shrift, to make them ghosts of what they could be. Not that they need lots of air time to be effective—think of Moriarty, for example—but that they need to be fully realized.

An exercise I plan to try is one proposed by Laura DiSilverio in the July/August issue of Writer’s Digest. In her article “Amp Up Your Antagonists: 6 Ways to Make the Bad Better”, she suggests writing the antagonist’s first scene as if he or she were the protagonist.

Brilliant!

How much better might I flesh out this character, how much more sympathetic and relatable might I make her, if I took her side? And if I’m writing a series, that deeper understanding of the antagonist even opens up the possibility of casting her as the protagonist in a future book. My friend Manda Collins did this beautifully in her latest novella, The Perks of Being a Beauty.

In the first three books of the series, Amelia is a jealous, backstabbing bully, and yet Manda handled her so well in the novella that I couldn’t help but root for Amelia to get her own happy ending. Once I understood why she’d done the things she’d done—and felt that she’d paid for, and regretted, her actions—she became fully redeemable.

Feel free to share your own example of a well-drawn villain from a book or movie. How might you give your own antagonist a richer role in your story?

Photo credit: Loki, courtesy of Marvel (http://marvel.com/wallpaper/detail/2137/thor_movie_wallpaper_13)


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The power of love

Flickr_-_Official_U.S._Navy_Imagery_-_EOD_diver_receives_Bronze_Star.There are plenty of inspiring people in the world, but some really touch your heart. Navy Explosive Ordnance Disposal Technician and quadruple amputee Taylor Morris and his long-time girlfriend Danielle have touched mine in a big way.

Not only does Taylor have an incredible spirit and zest for life, but Danielle has stood by him through it all, sometimes literally carrying him on her back. It’s clear that she motivates him to work hard and reaffirms his value. Theirs is a beautiful story of the power of love that reminds me why I write romance.

I learned about the couple while researching bilateral amputees for a new storyline when I came across a blog maintained by Danielle that chronicles Taylor’s recovery. That led me to photos and stories about Taylor posted by his childhood friend, Tim Dodd, a professional photographer.

Those who have lost limbs—no matter how it happened—face tremendous physical and mental challenges. They must relearn how to function and take care of themselves while facing incredible pain. Not only that, but they often harbor doubts about their appearance, their self-worth, and what they have to offer current or potential loved ones now that they are “less than” they once were.

Makes my daily struggles—if they could ever even be classified as such—seem pointless. I’m certainly reminded not to take what I have for granted, or to let life pass me by while I wait for something amazing to happen.

Photo credit: By Official Navy Page from United States of America Patty Babb/U.S. Navy (EOD diver receives Bronze Star.) [Public domain], via Wikimedia Commons


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What I’m learning in the Game of Thrones

game-of-thrones-posterI think I may be the last person on Earth to start watching Game of Thrones. At least that’s how it feels on Twitter. Still, now that my husband and I are almost done with season one, I see the draw.

The feel of the story reminds me a lot of Ken Follett’s book/mini-series (both fabulous) Pillars of the Earth, though the story is not at all the same. I think it’s the skillful way that George R.R. Martin sets up every character’s goal and motivation, both protagonist and antagonist alike. And they’re not petty. He’s carefully laying the foundations with betrayal, torment, and loss.

Ken Follett does the same thing with his characters. The seeds of vengeance are sown early and provide for the ultimate demise of those who run roughshod over others early on.

Of course, it’s a long, arduous road upon which the “good guys” are tortured mercilessly, but then the hero wouldn’t have earned his victory if not for the trials of the journey, right?

A writer could learn a lot from both Follett and Martin.

So, I will dutifully study GoT in my quest to become a better writer. Maybe some of the magic will rub off on me along the way.

Either way, at least I’ll be enjoying myself.

Is there a book, movie, or TV show that inspires you to be a better writer?


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Tech Tuesday: Inserting Images in Scrivener

I’ve been getting a lot of questions about using images in Scrivener lately, especially from those interested in producing e-books. There are several ways to handle images in Scrivener, and I’ll provide a run down of the basics here.

First of all, the Windows version isn’t caught up yet on using image tags, so to insert an image into a project in Scrivener for Windows, you can either copy it from somewhere and paste it in, or import it to the Binder (outside the Manuscript/Draft folder) and drag it into the desired document.

This works in Mac as well.

Images in Scrivener are added inline, so they’re treated like a character as far as word-wrapping goes. Which means that text does not wrap around the image. To resize an image, right-click and choose Edit Image (Windows) or Scale Image (Mac).

Mac users also have access to the image placeholder tag. There are several handy ways to use the placeholder tag.

Inserting an Image into the Text

If you have quite a few images you want to use within your manuscript, there’s no need to insert them into the text directly. Instead, you can import them into the project and use the IMG tag to refer to the desired image.

1. Import the desired image into your project.

An easy way to import is to right-click (or control+click) the folder where you want to store the image and choose Add—>Existing Files. Then choose the desired image file.

NOTE: Images cannot be stored within the Manuscript/Draft folder.

2. Select the desired document, and click within the editor in the exact location where you’d like to insert the image.

3. Type <$img:ImageName> (where ImageName is the name of the image as it appears in the Binder).

NOTE: To determine the size of the image, you can enter either its height or width and the image will adjust the other measurement accordingly. You can also enter both dimensions, if desired. Do so in the following manner:

<$img:ImageName;w=100> to assign a width of 100 pixels

<$img:ImageName;h=80> to assign a height of 80 pixels

<$img:ImageName;w=100;h=80> to assign both measurements

IMGTagInText

4. I suggest adding a blank line above and below the image for spacing.

The image will appear in the text with the same indents and format as the text. To give it different formatting, such as centering or full left alignment, adjust the format, select the image, then go to Format—>Formatting—>Preserve Formatting. The image will have a blue tint and a dashed line around it. This will prevent the standard compile settings from being applied to the image.

IMGTagInTextPreview

Using an Image at the Start of Each Chapter

You can set up Compile to insert an image either before or after the title of each chapter. Below are the steps for inserting it below the chapter auto-number.

1. Import the image as outlined in Step 1 of the previous section.

2. Open the Compile window (File—>Compile), and make sure that the All Options button is selected at the top.

3. Select the Formatting tab on the left.

4. Select the folder Level 1+ row at the top of the table (this assumes a standard set up of chapter folders and text documents for scenes).

5. If you plan to use chapter auto-numbering instead of folder titles, be sure to deselect the Title checkbox.

Find more on this in the post on Compiling.

6. Click the Section Layout button at the top of the small Editor pane.

7. The Prefix text box is where the auto-numbering placeholder goes, as shown in the example. In the Suffix text box, type: <$img:ImageName>. (If you want more space after the image, you may insert one or more Return characters).

If desired, add a height or width dimension, as mentioned in Step 3 of the previous section.

IMGinSuffix

8. Click OK. Then, when all other settings are as desired, click Compile.

To have the image appear before the title or auto-number, put the image tag in the Prefix text box, and the auto-number tag (if using) into the Suffix text box.

IMGinSuffixPreview

Using an Image as a Scene Separator

If you’d like an image to appear between each scene, you can add an image tag as a Custom separator in the Compile window.

1. Import the image as outlined in Step 1 of the Inserting an Image into the Text section above.

2. Open the Compile window (File—>Compile), and make sure that the All Options button is selected at the top.

3. Select the Separators tab on the left.

4. In the Text Separator drop-down menu, choose Custom.

5. In the Text Separator text box, type: <$img:ImageName>. Unless your image is already small, I suggest adding a height or width adjustment as outlined in Step 3 of the Inserting an Image into the Text section above.

IMGSceneSeparator

6. When all other settings are as desired, click Compile.

IMGSceneSeparatorPreview

Using an Image as an End-of-Text Marker

Want to mark the end of your manuscript with a special image? The process is similar to those outlined above. NOTE: This only works with Print, PDF, and text-type output, not e-books.

1. Import the image as outlined in Step 1 of the Inserting an Image into the Text section above.

2. Open the Compile window (File—>Compile), and make sure that the All Options button is selected at the top.

3. Select the Layout tab at the left.

4. Select Mark End of Text With checkbox.

5. In the Mark End of Text With text box, type <$img:ImageName>.

IMGEndOfTextMarker

6. When all other settings are as desired, click Compile.

IMGEndOfTextMarkerPreview

I’ve been asked about inserting images into headers and footers, but headers and footers in Scrivener do not support the IMG tag at this time.

NOTE: If you have a lot of images to include and don’t want to bloat your project, you can also use the image tag to reference files that are not imported to your project. You just need to know the file path. For example, the following IMG tag points to a file on my hard drive and resizes it to 100 pixels in height. If you center it and preserve the formatting, the picture will be centered. Just make sure not to move the original image without modifying the in the IMG tag.

<$img:/Users/Evergreen/Pictures/BernSuisse1980.jpg; h=100>

For a good primer on how to copy a file’s path on a Mac, check out: http://reviews.cnet.com/8301-13727_7-57578129-263/how-to-copy-a-file-path-in-os-x/.

Got more Scrivener questions? Check out my Scrivener Tips page, or my book Scrivener For Dummies.

Good luck!


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Tornado damage

F4_tornado_damage_exampleOn the evening of May 3, 1999, my husband and I lay huddled under our queen mattress bracketing a sleeping infant and a restless toddler. The power had gone out, and I listened to the news on my Sony Walkman as a twister made its way through Moore, Oklahoma, headed right for us.

Second-by-second updates traced the menacing funnel on its devastating path as I waited for the all clear. What I heard was the storm-chasing meteorologist on the ground exclaiming that the neighborhood off Sooner Road—the western boundary of Tinker AFB where we lived in a duplex in officer housing—had been flattened. Then word that Tinker itself had taken a hit to its northwest gate.

So close. Too close.

We held the kids down and waited until we were sure that it was safe to come out of hiding.

When we finally did, the world was a different place.

Pink insulation, bits of family pictures, and shredded documents lay strewn across the ground, stuck wetly to the street and driveway, dangling from the trees like Christmas flocking.

For some reason it was the insulation that really brought the damage home for me.

The tornado had hopped, skipped, and jumped around, demolishing the neighborhood we’d lived in when we first moved to town, and the one just north of that. It took out the horse stables on base, wiped out the Comfort Inn where our family always stayed, and bounced north before finally losing steam over Midwest City.

We left Oklahoma that summer, but not before driving through the old neighborhood. We got lost trying to find our old rental house. The subdivision looked like a wasteland, a war zone. Trees stripped bare, one with a couch lodged in its branches. Blocks and blocks of shattered wood, debris, and mangled cars punctuated by chimneys and interior rooms or closets, knocked low but still standing.

I’ve never seen anything like it in person. I hope to never see anything like it in person again.

When you live in a place like that you almost become inured to the danger. Tornado watches and warnings are commonplace. The meteorologists have it down to a science, giving you up-to-the-minute maps of where the storm will hit next. Paying attention to the weather anytime there’s a storm headed your way, having a plan for where to hunker down, become part of life.

What choice do you have?

We joked about the tornados. We had one on the night my youngest son was born, and all the moms in the birthing center had to wheel our babies in their basinets down to a basement hallway and wait an hour for the danger to pass. My husband and I called our son our “tornado baby” and I dubbed his online persona Taz (which kind of fits his personality too).

But I didn’t realize the effect living like that had on me until we moved to our next base in Ohio.

In the back of my mind I had this sense that we were safe now. Tornados were something we didn’t have to worry about anymore. Sure, Ohio got small ones on occasion, but this was no Tornado Alley.

And then one day Dayton had a tornado warning and I freaked. Full on adrenaline attack, bile in the throat, dread like I’ve never felt. I wasn’t just scared, I was angry. I was done with all that, damn it. I was no longer mentally prepared for it.

I’m so sad that Oklahoma is going through this again. That Moore and the surrounding areas are suffering the loss again. That they’ll have to rebuild again.

I know the hard part is just beginning, and my heart goes out to those affected.

Photo credit: NOAA – http://commons.wikimedia.org/wiki/File:F4_tornado_damage_example.jpg


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Epiphany at a workshop

IdeaOver the weekend, my local RWA chapter hosted bestselling romance author Virginia Kantra for an interesting workshop on characterization, gender roles, and the struggle our characters face between developing intimacy and maintaining control.

She talked about starting with gender stereotypes to meet reader expectations, but taking it further to create unique, compelling characters. She discussed how gender differences can be a source of conflict (e.g. her desire for independence vs his need to protect/provide, their different attitudes toward sex, and so on). And she went over the three character arcs in a romance: his, hers, and theirs. (And people think romance is easy to write.)

But the biggest value I got from the workshop was possible insight into one of my characters. Tara starts out as a secondary character in Blind Fury and becomes the main character in my second manuscript in that series. She has a fairly promiscuous background—something she’s trying to move beyond because it eats at her self-esteem—and the main reason is her desire to feel loved. Unfortunately, all she’s getting is a temporary connection.

(I think the motivation is important for making characters unique. For example, another woman might gravitate toward casual sex to avoid the intimacy and loss of control that comes with a long-term relationship.)

My epiphany was that Tara’s willingness to keep jumping in the sack on the first date—despite her desire for a lasting relationship—might also stem from the sense of feminine power she feels during the seduction and the act itself. I like the idea of having another layer to her behavior.

I don’t even remember what it was Virginia said that made me think of it, but I’m glad I was in the workshop.

This is the reason I often attend chapter meetings and conference sessions, even if they’re not strictly a topic of interest for me (though this one definitely was). Ideas often come from the most unexpected sources. An offhand comment by the speaker, a conversation with another workshop attendee during lunch. You just never know.

Had any serendipitous moments of your own lately?

Image credit: By Producer at ar.wikipedia (Transferred from ar.wikipedia) [Public domain], from Wikimedia Commons


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My favorite season

Spring is my favorite season of the year. I love the weather, the flowers, the bright yellow-green of new leaves, the early sunrise and late sunsets. Winter’s cold grip is gone, Summer’s hot breath is yet to come, and Mother Nature is dressed to celebrate.

What’s your favorite season?


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Read it later

Pocket reading app

Pocket reading app

Years ago, I spent a lot of time commuting and listening to motivational and time management gurus (on cassette tape!). I remember Brian Tracy talking about how to fit in all the reading a successful businessperson must do. One of his tips was to go through your magazines, look at the table of contents, tear out the articles you wanted to read, and then get rid of the magazine (please recycle).

The next step was to put all the articles into a file, and carry it with you everywhere so you could read any time you had a few minutes to kill.

Nowadays, most of the articles I’m tempted by are online, but there are several applications that allow you to take Mr. Tracy’s time-saving approach to reading what has been dubbed “time-shifted content”.  Think of it like recording your favorite TV show on your DVR for later viewing, but for reading material.

Instapaper reading app

Instapaper reading app

Smartphone apps like Pocket, Instapaper, and Readability let you mark an article or blog post to save, then make that page accessible from your computer, tablet, or smart phone.

Now, instead of wasting precious writing time reading blog posts like this one, you can read them while waiting at the doctor’s office, riding the Metro to work, or sitting in the kiss-and-ride pick up line after school.

If you love the article and want to keep the information, send it to Evernote. Otherwise, delete it and move on to the next article. The apps let you organize the articles by folder or tag, and are compatible with other applications like Evernote, Flipboard, Twitter, Zite News Reader, and more.

Even better, sites like Longform reformat long articles from magazines and newspapers for easier reading on these “time-shifted content” apps.

I’m pretty sure Brian Tracy would approve.

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