The ability to write anything is scary.
I liken it to being given a blank canvas and told to “Paint something.” It’s paralyzing. But if the same person gave you the canvas and said, “Paint a tree,” you’d probably think for a minute about what a tree looks like to you, and then dive in.
In that way, parameters can actually free up your creativity rather than stifling it.
Once I know how my story starts, then I know which path I’m on. I might take some unexpected detours along the way, but I’m not switching mountains halfway through. (Unless, maybe, killer plot twist?)
I’m trying to work on the next book in my Men of Steele series, and this is where I remember how messed up my process is. No matter which method I use, I end up starting the story about 50 different ways before I figure out how to get into it.
I do have a few constraints to help me out. I know I’m writing romantic suspense, and that it takes place within the world of my Men of Steele series. And I know who the hero is.
But if a character can be stubborn, Kurt Steele is the worst. I’m not one of those writers who believes my characters have control, but once they form in my mind, that’s pretty much what I’m stuck with. (See Scott Kramer of Blindsided, who came to me as a Marine scout sniper, even though I’d been researching and writing Air Force PJ heroes.)
I’ve tried to write Kurt’s book several times now, and he doesn’t cooperate. At all. This time, I’m determined to write him a happily ever after, but I may turn gray doing it.
Wish me luck!
If you’re a writer, have you ever struggled with a particular character’s story? Got any suggestions?